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Archive 2009

In their own words: Artists for Save Our Water Daniel Collins Dec 16

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I’ve had an affinity with art since before I can remember. I went through a Seurat phase in primary school. Chalked up an asphalt car park with Picasso’s Guernica. And explained numerical modelling for my PhD defense with Colin McCahon.

Art and science both seek to offer narratives about the world. Science takes the objective path, or close to it, while art meanders along the more subjective. But they often overlap or complement each other, as was the case at COCA last Saturday.

The exhibition was by Artists for Save Our Water, an ensemble of 12 artists gathered essentially to protest against a reservoir and irrigation scheme that had been proposed for central Canterbury. I covered Saturday’s closing reception previously. (The Press was there, but they didn’t seem to be taking notes.)

After the reception, I took the opportunity to talk to a couple of the artists about their work.

Margaret Ryley is an artist and potter based in North Canterbury. While Artists for Save our Water is in its second year, she has been depicting water in her pieces for much longer. Her initial inspiration was the Ashley.

“I grew up playing in the river, observing the river, feeling the stones.”

But over time, Ryley has noticed things change. Both along the Ashley and the larger Waimakariri just north of Christchurch.

“The Waimakariri was this large river that you went over going into Christchurch. And in earlier years I can remember it flooding. I can remember my father having to go up round the gorge to get into Christchurch because then there was a huge volume of water. It’s not been the same since…”

It is this new, quieter river that Ryley conveys through her artwork. Pieces of pottery and porcelain lie scattered along an arc, the small white porcelain pieces framing the larger glazed clays, fitting materials for a river. There was no definite boundary, and in fact the pieces had been moved slightly by observers, much the same way that real rivers are.

The white porcelain pieces are the white stones of the river. Their occasional black lines represent both bridge and geological past. Of the clay pieces, the walnut ash glaze gives a golden colour, the copper a blue to mimic the water. But there isn’t much blue.

Ryley says of the rivers:

“There are more and more piles of stones and less and less water.”

Her concern is that a natural and beautiful ecosystem is being degraded by careless use. Nesting birds are deprived of suitable nesting sites. Charismatic braids lost. These are risks posed by greater abstraction of water.

As part of the Save Our Water project, the 12 artists toured the Waimakariri River, and the site of the proposed reservoir. I asked Ryley what new insights she garnered from this experience.

The first was the sense of how fleeting anything you do to the rocks was. They could become your canvas, but before too long the river would wash the canvas away.

“But also the magnitude of what people were trying to do to make use of the water which they see as being wasted going out to sea without any regard for the natural order of things. And to look at the area that they wish to dam, to have only the hilltops which would be islands in the middle of a dam, and a great dam that overshadowed the township of Coalgate. It’s just horrifying that people could think that they could do that.”

The second artist I spoke with was painter Linda James. She has not always focused on rivers…

“But I have actually always done water; something about the power of the water.”

James is fascinated by the constancy and patterns of water flow, its circularity, its eddies. These features come across strongly in her three large paintings, each of a waterfall. Not of the Waimakarari, but made out as picturesque postcards.

I noticed the unconventional canvases: free-hanging, unframed and comprising a patchwork of smaller canvas pieces.

“I like the way it makes a texture and you get separate patterns going. Like you’ll get the big picture and then you’ll get the patterns of the surface.”

In one corner of one painting she has written the words ‘Out of the chaos’.

“There’s always these patterns that are formed in whatever you look at. … There’s somehow these patterns are always there but it’s so destructive. I mean if these rivers are in flood … Harmony can be so ruthless.”

Of the bigger picture of water use in Canterbury, James agrees that we should be growing crops and irrigating them, but not on such a large scale.

“It lacks any foresight.”

Artists and politicians gather to save Canterbury’s water Daniel Collins Dec 14

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Canterbury’s water management needs a serious overhaul, according to artists and activists who gathered for an art exhibition at Christchurch’s COCA on Saturday.

The exhibition featured works by 12 artists brought together by local artists Sally Hope and Jane Zusters for the second annual Artists for Save Our Water project. The focus this year was on the Waimakariri River, and the proposed Central Plains Water scheme.

The artwork chosen as the banner of the exhibition was a work by Ramonda Te Maiharoa. Her composite image depicted a river being blocked by a line of wooden-framed glass doors. In their centre was a door handle and key-hole. The message was simple: With the right key, the CPW’s reservoir in the Waianiwaniwa Valley need not be built. And indeed, ultimately, it was not.

In attendance were advocates and politicians of a range of stripes, but all in agreement on the need to improve water management.

Murray Rodgers, Chairman of the Water Rights Trust and author of ‘Canterbury’s Wicked Water’, spoke about the need to shift water management in Canterbury to balance economic and environmental needs. He emphasised the need to think long-term, and to replace “undisciplined growth” with “sustainable growth“.

Rodgers was highly critical of successive governments, both Labour and National, for their bureaucratic hold-up and inaction on freshwater management, despite many good reports produced by MfE.

Rodgers further decried the degrading waterways, unfit to swim in, and lays blame on unsustainable agricultural practices:

Cows are still shitting in some Canterbury waterways. Lowland streams run dry. Behaviours that cause the on-going rise in nitrate levels in ground and surface waters are expanding, those behaviours are not contracting.

Rodgers’ leadership on water issues was subsequently praised by Dr Russel Norman, co-leader of the Green Party. Norman went on to stress that it was the NGOs and volunteers that are ultimately moving the discussion forward.

According to Norman, these events surrounding local water management and agricultural intensification are small snapshots of a bigger pictures. In the long run, he said…

It’s about what kind of relationship do we want to have to the planet, and to our own local environment, and hence it’s about what kind of people do we want to be.

Brendan Burns, MP for Christchurch Central and Labour spokesperson for water issues, acknowledged Murray Rodgers’ speech, saying that “almost all of what he said was absolutely, bang-on correct,” and conceded Labour’s past actions have not been entirely to the benefit of sustainable water management.

Burns also called Canterbury’s track record on water management “woeful,” and cited a recent Ecan report claiming that 1 in 5 farmers had been in serious breach of resource management consents, but he balanced this by saying that he has yet to meet any farmer who actually wants to damage the environment.

Both Brendan Burns and his National Party counterpart, Nicky Wagner, echoed Russel Norman’s sentiment that the issue of water management was about who we are. Wagner specifically recognized the work of artist Nigel Brown, and his piece ‘Water Through the Fingers’.

Changing the tone after the politicians, or at least changing the vocabulary, was artist and author of ‘The Water Thieves’, Sam Mahon. Mahon provided a geological and birds-eye view of the Canterbury Plains, woven over millennia by the braided Waimakariri River and her sisters. To Mahon, water mismanagement risks putting the “eternal weaver” to sleep.

While much of Saturday’s event was taken up by speech, it was the artists’ visual and textural works that provided the speech’s context. After the event I had the opportunity to talk to two artists about their works, why they were attracted to the water issue, and what they sought to convey. I will share their words with you soon.

Christchurch art exhibit on local water fight Daniel Collins Dec 11

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Short notice, I know, but tomorrow is the last day of the Rivertalk exhibition at the COCA.

“Sponsored by The Malvern Hills Protection Society and Alpine Jets the artists journeyed the Waimakariri River seeking inspiration for this exhibition The artists celebrate through their art this magnificent braided river threatened by the proposed Central Plains Water Scheme. Accompanying this exhibition are the winning entries of an art competition for Canterbury School Children.”

The exhibit is ostensibly an environmental protest against certain water uses in Canterbury. From 2-4pm, Saturday 12, guest speakers will talk on water issues: Dr Russell Norman, co-leader of the Green Party, and Murray Rodgers, Chairman of the Water Rights Trust.

As water science communicator and landscape art fan, I shall be there.

Water news haikus no. 7 Daniel Collins Dec 11

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More regular than
India’s summer monsoon
But not quite as wet

Science

A seismic story
Of fluvial erosion
Around Gibraltar

Minimal model
Of monsoonal tipping point
Controlled by water

Historical links
Between war and temp’rature
What of climate change?

New Zealand

ECan’s head in sand:
Surface-groundwater exchange
Timaru study

Farmer to spill beans
On effluent management
After spilling crap

International

Water footprinting
Guide to water assessment
Virtual focus

Index of Banned Words
From science journalism
Some seem a tad odd

Water meter use
Encouraged in the UK
To control demand

Water as weapon
Or water as the trigger
Water conflict dates

Welcome Flat springs cooler after July earthquake Daniel Collins Dec 09

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The 7.8 magnitude earthquake that shook Fiordland on July 15 was the largest in New Zealand since 1931. It caused power outages and landslides, but fortunately only minor damage and no fatalities. Land around the epicentre was uplifted by a metre, and the South Island twisted so that Dunedin moved 1 cm closer to Australia. What GNS scientists Simon Cox and Delia Strong revealed a couple of weeks ago was that it also cooled the famous Welcome Flat springs on the West Coast.

The figure below, courtesy of Dr Cox, shows the time-series of spring water temperature before and after the earthquake. Temperature occasionally drops during storms, when cold rainfall infiltrates the ground and mixes with the geothermal waters, but this effect is short-lived. At the time of the earthquake, however, the temperature started to drop to a new long-term average temperature – about 1°C cooler.

Figure: Spring water temperature, where it emerges from the ground, shows short-term fluctuations caused by rainfall events as well as a sustained decline following the July 15 earthquake. [Credit: Simon Cox and Delia Strong, GNS Science]

Figure: Spring water temperature, where it emerges from the ground, shows short-term fluctuations caused by rainfall events as well as a sustained decline following the July 15 earthquake. [Credit: Simon Cox and Delia Strong, GNS Science]

Hot springs like Welcome Flat’s pock-mark the South Island landscape in an arc that reflects the Alpine fault. Groundwater is heated far beneath the Earth’s surface, and follows a tortuous path through fractures and faults before emerging in springs, to the delight of many trampers.

What the GNS temperature data show is that the fractures and faults that constitute the geological plumbing of the springs are not set in, er, stone. The July earthquake rattled the underground plumbing so that when water now emerges at Welcome Flat, there is a greater proportion of cooler rain water compared with warm geothermal water, to the probable dismay of many trampers.

This research is part of a broader study led by Dr Cox, looking at the hydrological responses of earthquakes in general, and what these responses can tell us about what happens leading up to and during an earthquake. If you happen to have noticed any changes in spring flow – either in temperature or amount – he would be keen to hear from you. For more information, see the Deep Fault Drilling Project website.

Reference: Cox S C, Strong D T (2009) Insights to crustal fluid-flow near the Alpine Fault: monitoring experiments at Copland Warm Spring. Abstract and poster presented at the Geosciences 09 Conference, Oamaru, 23-27 November 2009. Geological Society of New Zealand Miscellaneous Publication 128A. ISBN 978-1-877480-07-2. p46.the

Haiku news no. 6 Daniel Collins Dec 07

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Haikus, belated
But surely not forgotten,
Are all about risks

Science

Regional flood risk
Water storage threshold gauged
By the GRACE of god

Urban water risks
Drought and demand managed with
Leases and options

Runoff, climate change
Predictions with simple model:
Budyko-Holland

New Zealand

Rain spoils cherry crop
Ripening fruit swell and split
Due to osmosis

Waitaki DC
Catches self in water ‘theft’
Camp ground flow, too free

New Marlborough scheme
Brings new options, certitude
To irrigators

International

CRU scandal
Misgrasped by non-science shills
Climate change still real

Kenya drought-insured
Claims checked via satellite
First case in third world

On water, women:
Gender inequality
Hinders health and life

If doctors used climate science, part 2 Daniel Collins Dec 07

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When I was in Uganda last year, I ran into a local medical doctor working on climate change impacts in the water resources sector. I happened to be in Uganda with the Red Cross for the very same thing. The MD was an influential figure, and got a lot of good work done, but his grasp of climate science was flawed. At an international doners’ conference on water issues he presented, among other things, three data sets that he claimed bore the hallmark of climate change: a decline in ice cover of Mount Rwenzori, an increase in food shortages, and the decline in level of Lake Victoria.

For the ice cover, he presented three data points spanning 100 years. While the decline may be consistent with other more detailed observations, this emaciated data set alone was not evidence of climate change.

The food shortages data was a little more fleshed out. There were about 10 events, grouped by decade, for the 20th century. There were more events towards the end, suggesting an increase. However, not only was this trend also not statistically significant, but confounding factors were not considered. These being the increase in vulnerability of a growing population, and an increase in awareness of events.

The data on Lake Victoria, on the other hand, did show a statistically robust decline, but what was presented was only a few years of data from a record dating back to the 1890s. The full record shows a roughly flat line from the 1890s, a sharp rise in 1960-61 associated with an abrupt shift in Indian Ocean-derived rainfall, and a gradual decline since. No climate scientist has linked this decline to anthropogenic climate change.

The Ugandan medical doctor accepted climate change was real but ascribed too much to it. This contrasts with SciBlog’s very own medical doctor, who denies climate change, believing the science to be flawed. Regardless of conclusion, both misunderstand and misuse science.

I mention this, as should be obvious, to rebut the insinuation of MacDoctor’s earlier post: that climate science is flawed and that medical doctors know better. Not so.

A more medically and scientifically robust story of climate change and health emerges from a study by some of my former colleagues. Jonathan Patz, MD PhD from the University of Wisconsin, led a study on the potential global health inequities of climate change. By combining past WHO statistics of temperature-related diseases with global carbon emissions, the team highlighted that those most vulnerable to global warming are those least at fault. The same broadly applies to water-related risks.

What this all boils down to is this: Climate change is real, and is almost certainly caused by humans. Future climate change is a risk. Whether it will be good or bad depends on our values and vulnerabilities, and in part on our choices today, but we won’t find out how good or bad until it happens. Because of these different values, climate science is misunderstood and misused by advocates of all stripes, both “for” and “against”. This is a shame. But as with the tobacco and detergent controversies of decades past, it will be science that wins.

Haiku news no. 5 Daniel Collins Nov 27

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An abridged coverage
Of news this week due to a
Conference, and Thriller

New Zealand

Earthquake cools the pools
Rejigged plumbing changes flows
Below Southern Alps

Manawatu flows
Top among polluted list
Top cause: nitrogen

Drinking water crap
In many rural locales
One in four at risk

Watergate was not about water Daniel Collins Nov 24

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Watergate is an office complex in Washington, D.C., overlooking the Potomac River. The Watergate Scandal was so named because political operatives for then-President Nixon broke into the Democratic National Committee offices located there, while Nixon and his staff tried to subsequently cover it up. The five burglars were convicted, and Nixon eventually abdicated the presidency.

“Climategate” is not about climate. The scandal is about divisive politics, how partisans will stoop to illegal and intimidatory means to propagate their value system, and how other partisans implicitly or explicitly support the theft and invasion of privacy.

A phylogeny of hydrological thought Daniel Collins Nov 24

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Science rarely proceeds in leaps and bounds. It is better characterised by the gradual accretion of knowledge. As Issac Newton remarked to rival Robert Hooke in 1676: “If I have seen a little further it is by standing on the shoulders of Giants.”

It is appropriate then, on this auspicious day, to illustrate how scientists manage to stand on one another’s shoulders, and how our science evolves. Auspicious, because it is the 150th anniversary of the publication of Charles Darwin’s ‘On the Origin of Species’, and on this very day I am giving a talk at the joint NZ Hydrological and Freshwater Science Society conference entitled ‘A phylogeny of evapotranspiration models’.

Science is to a great extent about models. Not necessarily of the computer variety, but more generally of the narrative. That is, they are explanations of observed phenomena.

One hydrological phenomenon that is of great importance to many scientific disciplines is evapotranspiration. Due to its cumbersome size, we generally shorten it to ET – not to be confused with extra-terrestrials. ET is the sum of water that evaporates from the Earth’s land and water surfaces or transpires from plant’s leaves. Globally, roughly 60% of all rainfall that falls on land returns to the atmosphere as ET. Regionally and locally, this can vary from nearly 0 to 100%.

Models of ET have been around since at least the Classical Period. Greek philosophers attributed the evaporation of water from the seas to the sun and wind. Very little changed for millennia, until a veritable Cambrian explosion of ideas in the 20th century. While the evolution of ET models in recent history is a continuous but slightly bumpy road, several milestones can be identified.

In the 1920s, two Germans wrote two papers suggesting that the movement of water from soil to atmosphere via plants be described by Ohm’s law: water moves from high concentration to low, with the plant providing resistance. This was popularised in 1948 by van der Honert, who notably formulated it in mathematical terms. Over the decades, the idea of a plant as a resistance to water movement has developed from a single resistor to many resistors in series and parallel, representing roots, xylem, leaves and so on.

In the meantime, and very much separated from the Ohm’s analogy advances, a Russian climatologist by the name of Mikhail Budyko described large swaths of the landscape as simple buckets. This was in 1956. These buckets stored water up to a maximum amount, and below some specified threshold, evaporation declined linearly with the amount of water stored.

Advance to 1965 and a meteorologist in Britain, Howard Penman, advanced his theory of evaporation based on radiation balance. In another nod to Ohm’s law, he realised that both the plant and the air around the plant provide resistance to water movement.

An early sign of hybridisation took place in 1969 when Japanese climatologist Syukuro Manabe combined Penman’s basic theory with Budyko’s bucket to create a global climate model (GCM). This sparked a new branch on the evolutionary tree for the climatology community that led to the models used in climate change research. In 1978, James Deardorff notably treated the ground surface differently from the plant canopy, and in 1991 James Collatz and company drew on research by plant physiologists to account for carbon assimilation. After all, plants essentially only lose water in the act of absorbing carbon.

In 1970, however, another branch had started growing. Two engineers at Stanford University, by the names of Molz and Remson, took what was previously a description of water flow in soil (called Richards equation) and added plant water uptake. They went on to suggest that water is not taken up uniformly down the soil depth, but in some way that reflects root activity – more uptake near the top where roots are most abundant. They also provided a framework, also still in use today, linking water uptake to the amount of water present. How water uptake activity varies with depth is still unresolved. I even added my two cents several years back while at MIT, but research rightly continues.

A Dutch soil scientist by the name of Reinder Feddes was also very instrumental in this story, drawing from the work of Molz and Remson, and explicitly discarding the detailed Ohm’s-based approaches. In the 1970s he considered how water availability affected plant water uptake: too little water, and stomata close or xylem stop working, and plant water uptake declines; too much water, and oxygen is depleted, and plant water uptake declines. Feddes’ framework is still very much in use today, though again there is not yet a consensus.

By and large, then, these are the milestones of the evolution of ET models in the 20th century. They illustrate how ideas grow from one another, inspired by new observations or new questions. They show how ideas propagate from one discipline to another, slowly building a more robust depiction of the world. They are still only models of reality, and as such they are all somewhat wrong, but they are still useful and also somewhat right. As more observations become available, new techniques, and new ideas, models of ET will continue to evolve. Some branches will die off, others will fuse together, and yet more will sprout. So goes the evolution of scientific thought by natural selection.